Kent Nishimura plays “Peg” by Steely Dan
I’ve been watching this guy for many years and he stills blows me away. This is masterful stuff and shows that virtuosity doesn’t have to be self-indulgent nonsense.
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I’ve been watching this guy for many years and he stills blows me away. This is masterful stuff and shows that virtuosity doesn’t have to be self-indulgent nonsense.

Eisenberg’s experimental instincts haven’t gone anywhere: the melodies still take unexpected turns and the guitar work still catches you off guard, but here they’re folded into something closer to the 1970s singer-songwriter tradition. Folky, with jazzy touches. The avant-garde scaffolding of earlier records gives way to songs that breathe differently, and Eisenberg’s voice sits at the centre in a way it hasn’t quite before. The lyrics circle memory, time and youth without tipping into overt nostalgia. If you’ve bounced off their more uncompromising work in the past, this is the way in.
My son’s first viewing of the trilogy continues. He liked this one a lot.
As a kid I was mesmerised by the scene at the end where Joe Flaherty turns up with the letter. Blew my mind.
Watched it with my son, who was seeing it for the first time. He thought it was great and is excited to see the sequels over the weekend.