experimental

Body Sound is the debut from a Chicago trio who have paired off before in various combinations but never as a three. The method is improvise first, sculpt later: string and vocal sessions recorded across three locations, then run through analogue tape loops and effects before being recombined into eleven short pieces.

Some of it is very graceful. “dawn | pulse” opens in clear Max Richter territory. Others go in different directions: “burning | counting (sleeping)” gets agitated and screechy, and “cough | laugh” sets pizzicato plucks against a slowed, smeared swell of strings—the most overtly experimental moment. Cinematic while never becoming background noise.

There’s something faintly perverse about covering an artist’s self-titled debut in full; you’re not just borrowing their songs, you’re borrowing the album that was meant to be them. Asher White seems to know this, and the strangeness is part of the appeal. Pratt’s 2012 record still sounds like nothing else—at once ancient and contemporary—and White, working from a louder, more experimental-pop palette, reimagines it without trying to outdo it. “Mountain’r Lower” becomes something akin to a proper rock song; “Casper” has blasts of noise. Elsewhere, prepared piano and synths drift in where there used to be only fingerpicked guitar. You don’t need to know the original, though, if you do, the recognition is half the pleasure.