serial-killer

Same territory as TV Glow, a few years further on, and I think I liked it more. Gillian Anderson plays Billy big, with velvet, fur and a Southern draw. She’s great. Hannah Einbinder underplays Kris against her, which is right as two Billys would have been too much. Alex G is back for a third Schoenbrun score, which I’ve been listening to and enjoying for the past few weeks. One of the cues is called ‘Slasher Climax’, which is, well… let’s just say the central theme of this film took me longer to work out than I’d care to admit.

Inspired by a Guardian ranked list, I’ve decided to spend the summer rewatching John Cusack films—I’m not sure why, but I’ve been rather obsessed with him for about 35 years—and where better to start than one of the most insane films of the 90s. It was intended as an action film, but it works far better in hindsight as a dark comedy: a postmodern blend of Top Gun, The Rock, Speed, and Face/Off, celebrating and unwittingly sending up those sorts of films by sheer excess.

An absurd premise, stacked cast, bonkers juxtapositions of scene, score and dialogue, an audience set up to cheer for a cannibalistic child killer’s escape to freedom… I ought to watch this more often. Cusack plays his honest, moralistic US Marshal straight as the madness unfolds around him.