post-punk

Many years ago someone handed me a copy of Wilderness’s self-titled album and I loved it: chanty vocals, post-punk instrumentation, a record I’ve returned to ever since. For reasons I can’t account for, I never looked into who the band were or what happened to them (they disbanded, it turns out, at the end of the aughts).

So it was a nice surprise when a friend sent me this four-track EP and it sounded immediately familiar in the right way. Vulture Feather is a Northern California trio featuring two former Wilderness members, and Craving and Aversion trades that band’s chanty restraint for something more muscular and hypnotic—post-hardcore-indebted art rock, to borrow their own framing. Colin McCann’s vocals still do that preacherly thing. The rhythms circle rather than resolve. A prompt to finally do my homework.

The Twilight Sad have spent twenty years working a seam between Scottish indie, goth, and shoegaze—three sounds that have drifted in and out of fashion around them. It’s The Long Goodbye is their first record in seven years, and it arrives at a moment when shoegaze has gone from a minor concern to something close to a default setting for young guitar bands. Good timing.

James Graham wrote the album while watching his mother live with early-onset dementia. I didn’t know that on first listen—I learned it later, and the lyrics rearranged themselves accordingly on the third or fourth pass. The title stops being a phrase and starts being a description.

Likely to find them their biggest audience yet, and deservedly so.