gore

Horror is very much not my thing, but sci-fi horror—even better, space horror—somehow is? Sure, it’s unoriginal and unsubtle, but I’ve always liked it. The mooted director’s cut (that can’t be completed due to the poor condition of the materials) sounds like it would have been quite the experience.

The marketing was the bait: sold to teenage boys who turned up for Megan Fox and got a feminist horror about the intensity of teenage girl friendship and what men do when they need a sacrifice. In 2026 the reading is unmissable; in 2009, a year after “I Kissed a Girl” had pitched queerness as a party trick for boys, Fox’s casting read as more of the same. She is magnetic and clearly having a great time weaponising her own image, and the script gives her some of the best line readings of the decade. Diablo Cody, Karyn Kusama and the soundtrack each earn the reputation they’ve developed since release. Seyfried almost convinces you she’s the plain one.