Hurts Like Hell

Charlotte Cornfield
Cornfield’s first record since becoming a mother in 2023, and it sounds like the perspective shift has unlocked something. The pedal steel (courtesy of Adam Brisbin) threads through the album beautifully—country-tinged without ever tipping into full country, giving even the more vulnerable moments a warmth and sway. It’s her most collaborative album to date, and the guest list reflects good taste and good company: Buck Meek, Feist, Christian Lee Hutson. There’s something worth noting in that openness—becoming a parent seems to have made her more willing to let other voices in, both literally and in how she writes. The themes of renewal and perseverance through awkwardness land without ever feeling heavy-handed. Closer “Bloody and Alive” addresses motherhood most directly, spare and unguarded, and it earns the weight it carries. Highly recommended.