The question for an aspiring Mario Kart champion nowadays is “How can I pick a character / kart / tire combination that is in some sense optimal, even if there isn’t one ‘best’ option?” To answer this question we turn to one of Mario’s compatriots, the nineteenth century Italian economist Vilfredo Pareto who introduced the concept of Pareto efficiency and the related Pareto frontier.
A couple of years ago someone attempted to make a list of every video game ever made, and put it in a 6.5MB flat file. Like any sensible person, I used it to train a recurrent neural network.
- Metal Cat (2001, Sega) (Windows)
- Spork Demo (?, ?) (VIC-20)
- Black Mario (1983, Softsice) (Linux/Unix)
- Soccer Dragon (1987, Ange Software) (Amstrad CPC)
- Mutant Tycoon (2000, Konami) (GBC)
- Dick of the King (2007, Activision) (PC-9801)
- Spork Race (Universe) (1990, Atlus) (Arcade)
The ‘Spork’ franchise sounds like something I’d play, and ‘Black Mario’ seems sufficiently inclusive.
See also these wonderful recipes generated using a predictive text interface:
And Friends episodes:
None of this would’ve happened had Jennifer Thompson not gone thriftin’. This was in April 2013, and she was browsing clothes and $1 DVDs at the Steele Creek Goodwill in Mecklenburg County, North Carolina, when she noticed it behind the glass counter. The video game title sparked a memory, a Yahoo article about the rarest games in the world. Jennifer carefully drove her ’99 Honda Accord across the street to McDonald’s, just to use the restaurant’s Wi-Fi to make sure she hadn’t been wrong. She then crossed the street again and purchased the game for $8 from the $30 she had in her bank account, praying the clerk wouldn’t recognize what it was and stop her.
When she took it for validation to a used video game store in Charlotte, the young man behind the counter rustled open the plastic bag and beheld the game — pristine in its cardboard box covered by much of the original cellophane — coughing the words “Oh my god.” He offered her all the money in the register for it. She turned him down.
I know a fair bit of Nintendo history and lore, but hadn’t ever heard of this game. The story is an interesting one, with a nice twist when someone has the opportunity to flood the market and eliminate the game’s value.
On a related note, I’m stupidly excited for the forthcoming Super Mario Run for iOS.
But no home console was so deliberately engineered to deliver well-crafted, compulsively replayable multiplayer experiences like the Nintendo 64—a quality that eventually came to distinguish it from the rest of its competition. When you look back on the Sony Playstation, the games that stand out—Metal Gear Solid, Final Fantasy VII, Resident Evil 2—were entirely single-player, designed to deliver an experience that was groundbreakingly immersive but essentially solitary.
The Nintendo 64, of course, had its own single-player masterpieces. (I’d submit Banjo-Kazooie, Star Wars: Rogue Squadron, and two of the all-time great Zelda games, Ocarina of Time and Majora’s Mask). But the majority of the N64’s truly memorable titles were best when you played them alongside a few friends. In short, the N64 was the first great social console—and 20 years later, it still hasn’t quite been surpassed.
I grew up in a staunch Nintendo household (I’ve still never owned a PlayStation or Xbox) and can attest to the multiplayer thrills of the N64. I’ve got some great memories of me and my teenage friends competing on Goldeneye or Mario Kart. Particularly when we should have been revising for exams. I must dig it out again—I’ve been wanting to revisit the Zelda games.
I didn’t expect to read an article about quantum mechanics and the Coen’s ouvre. But I’m glad I did.
We’re used to a world in which seeing is believing, which we test through the evidence of our own eyes. It’s why expressions like these exist in the first place. Whether we’re scientists, artists or just looking at the view, what we see is a Newtonian world. Apples drop from trees, capsules hurtle into space and Van Gogh’s sunflowers can’t be anything else, no matter how hard we screw up our eyes in an effort to see something different. Anything outside of our Newtonian comfort zone seems immediately counter-intuitive, unreal, and often disturbing. But we’re in a comfort-zone nonetheless, because what we might like to think of as ‘real’ is bigger. We know that now. At the level of ultimate detail, the one on which everything else is built, the rules of engagement are different. Welcome to the quantum level. And welcome, too, to the Coen Brothers, those frustrating indie auteurs whose films seem most at ease when they occupy a space which seems both recognisable and alien in turn. Now we see it… or do we?
This looks very interesting: drag and drop elements to create and edit documents; link them together to create a hierarchy and publish them; collaborate with other within the doc and by video chat.
Beautiful. Lightweight. Always organized. Notion is an expressive and collaborative document editor that gives your ideas a place to grow.
User-review sites have become an unlikely destination for raw, informative accounts of Americans’ everyday interactions with our criminal justice system. Yelp declined to provide the number of prison and jail reviews on its site, but dozens of correctional facilities are filed under “Public Services & Government” alongside DMVs and post offices. Search for your local prison or jail and chances are that Google reviews will pop up alongside more traditional hits. (Even TripAdvisor once hosted a lively debate about whether a tourist visit to Sing Sing Correctional Facility or Rikers Island would be ethical, if such a thing were allowed.)
I missed this Google announcement from the beginning of the month about websites that take mobile users to an interstitial page to drive app installations:
After November 1, mobile web pages that show an app install interstitial that hides a significant amount of content on the transition from the search result page will no longer be considered mobile-friendly. This does not affect other types of interstitials. As an alternative to app install interstitials, browsers provide ways to promote an app that are more user-friendly.
When I tweeted about my frustration with the female characters in Dawn Of The Planet Of The Apes (one human, one primate, both of whom contribute very little to the plot), a friend replied, “Sorry to hear it’s a bad movie.” But it isn’t a bad movie. In fact, it was one of my favorite action blockbusters of last summer. Yet my specific feminist frustrations were extrapolated into a larger condemnation of the film. No one assumes that critiquing the Ewoks means you dislike Star Wars. So why did my complaints imply I hated Dawn Of The Planet Of The Apes?
A very short story about a couple who are a little too alike.
Exist links various services (calendar, fitness tracking, location, weather, social stuff) and provides feedback based on averages rather than goals. I’m not completely sold on the quantified self moment, but have signed up for a 14-day trial to see what this is like.
The original manual from 1976.
I obviously had my eyes and ears closed while this was playing out on the literary scene last week:
The post went viral. How could it not? Even without proof, the possibility that Pynchon was playing a giant practical joke on all of us was too enticing. Even after Pynchon’s publisher, Penguin Press, told New York magazine’s Nate Jones, “We are Thomas Pynchon’s publisher and this is not a book by Thomas Pynchon,” people kept sharing Winslow’s piece, and the subsequent, inevitable writeups in Vice and The New York Times. In fact, many saw Penguin’s denial as proof of Pynchon’s involvement. Jones himself ended his piece with a wink: “But, then again, they would say that, wouldn’t they?”
By using standard geometric shapes with fewer anchor points Google have reduced their logo’s size from 14,000 bytes.
If a Middle Eastern man from 2,500 years ago found himself on his home territory in 2015, he would be shocked by the modern innovations, and not just electricity, airplanes, and iPhones. Arabic as an official language in over two dozen countries would also seem as counterintuitive to him as if people had suddenly started keeping aardvarks as pets.
In our time-traveler’s era, after all, Arabic was an also-ran tongue spoken by obscure nomads. The probability that he even spoke it would be low. There were countless other languages in the Middle East in his time that he’d be more likely to know. His idea of a “proper” language would have been Aramaic, which ruled what he knew as the world and served, between 600 and 200 B.C.E., as the lingua franca from Greece and Egypt, across Mesopotamia and Persia, all the way through to India. Yet today the language of Jesus Christ is hardly spoken anywhere, and indeed is likely to be extinct within the next century. Young people learn it ever less. Only about half a million people now speak Aramaic—compared to, for example, the five and a half million people who speak Albanian.
How tennis players create spin is about as complicated a physics question you can set about solving without invoking subatomic particles.
Here’s another post about ‘parody’ Twitter accounts, the content they steal, and Twitter’s new (sort-of) stance against them.
Hey, have you heard of the new AWS services: ContainerCache, ElastiCast and QR72? Of course not, I just made those up.
But with 50 plus opaquely named services, we decided that enough was enough and that some plain english descriptions were needed.
The new Mario Maker game for the Wii U looks fantastic—the levels some people are making are brilliant. Here’s a particularly unsettling one.
There’s a playlist on Spotify I love called Discover Weekly. It’s updated every Monday with a mix of songs, some I know and some I’ve never heard, crossing into almost every genre with no discernible pattern. Like magic, it just knows what I want to hear.
It’s one of the reasons why I’m listening to Spotify more than ever. And I’m not alone.
I’m pleased with Spotify’s Discover playlist. Mine this week is 30 songs (2hr 1m) and is a nice mix of bands I’ve never heard of, back-catalogue songs by bands I know, and a handful of songs I own and/or I’ve listened to (on Spotify) multiple times. I think this last tactic is deliberate; relatively few people will want two hours of music that they’re completely new to, and will appreciate a bit of familiarity along the way. I’d like more new (to me) music, but I’m a bit odd: maybe ‘Discover’ could be an integral part of the Spotify app, along with ‘Browse’ and ‘Radio’ and the like, that we could tinker with using filters and settings depending on what we want to expose ourselves to.
I still like Apple Music, by the way, and I’ll likely carry on paying for it and using the free version of Spotify, which I downgraded to a couple of months ago. But the excitement of the ‘For You’ section in Apple Music has worn off. There’s only so many times I want to see ‘An Introduction To’ an act whose back catalogue I own in its entirety, nor ‘Deep Cuts’.
We used Twitter data to analyze the health of social apps and find out which ones might be in trouble — or, as we call it, in social decay.
Interesting to see the slow decline of This Is My Jam, and how Ello has peaked, dropped and plateaued.
Your job as product manager, designer or developer of an app is to recognize that writing copy in your app is not something that you can just do on the side. It’s just as important as having the application work correctly and the user interface being easy and efficient to use.
On the surface this may look like xenophobia searching for something to grab on to following a shift in the public mood towards refugees from the Middle East. But it is actually a fairly progressive stance: just weeks ago the anti-immigration brigade were complaining that migrants are unskilled and just want our benefits. And now they’re arguing that migrants are too wealthy instead, implicitly arguing we should prioritise helping the poor. But in any case, it does raise an interesting question: Exactly how surprised should we be that people from Syria carry smartphones?
In the years preceding World War II, news outlets from home magazines to the New York Times ran profiles of the Nazi leader that portrayed him as a country gentleman — a man who ate vegetarian, played catch with his dogs and took post-meal strolls outside his mountain estate […] The 1930s marked the rise of celebrity culture, in the era of talking movies, radio and new lifestyle magazines […] Hitler’s propagandists took advantage of the new celebrity culture and even helped to shape it.
Miyamoto talks level design.
Spend some time with a depressed, laconic Luigi as he chain smokes and wanders through a crumbling Mushroom Kingdom, ruminating on ontology, ethics, family, identity, and the mistakes he and his brother have made.
Another great time-travel short.
In a world where time travel is a simple hospital procedure, a man jumps back in time to force his 10-year-old self to learn guitar so that he can get more action with the ladies in the present day.
I have some thoughts on this but they mostly echo my Twitter pal Charlie Loyd’s, who repeatedly brings so much more considered thought to everything, it’s unfair on the rest of us.
When the Cascadia fault line ruptures, it could be our worst natural disaster in recorded history.
I thought twice about including this as I read something similar most days. But the point of this blog is that not everyone reads what I read and, anyway, I’m such fan of brevity (stop laughing, Twitter followers and Facebook friends) that I want to press this home to everyone. Omit needless words!
Getting things into 140 characters might be teaching young writers one of the most cherished virtues among those who deal professionally with writing: brevity.
If you’ve read What I Talk About When I Talk About Running then you’ve heard a version of this story before, but it’s supremely interesting anyway.
I think Hiroshima’s starting pitcher that day was Yoshiro Sotokoba. Yakult countered with Takeshi Yasuda. In the bottom of the first inning, Hilton slammed Sotokoba’s first pitch into left field for a clean double. The satisfying crack when the bat met the ball resounded throughout Jingu Stadium. Scattered applause rose around me. In that instant, for no reason and on no grounds whatsoever, the thought suddenly struck me: I think I can write a novel.
I hadn’t ever heard of this site before (Stories from the American South) but, boy howdy, is it ever good.
For almost 70 years, United Record Pressing has been in the business of pressing vinyl records. A quarter century ago, everyone thought those old black disks were going the way of the dodo. Then a few years ago, a funny thing happened: The kids started buying vinyl again. And now, one of Nashville’s oldest manufacturing businesses is growing to beat the band.
Joanna Newsom has announced her first new album in five years. Entitled Divers, the follow-up to 2010’s Have One on Me is due from Drag City on October 23rd.
When I first learned to play the guitar I would often ‘entertain’ people, half-joking/half-serious, with a slow, angsty, fingerpicked version of this song. People laugh about the track but as far as I can see, it’s completely truly objectively brilliant.
Grimes started as a fantasy project, then became too real. Now Claire Boucher is taking back control and showing the world that pop stars can be producers too.
Last minute evidence that completely turns a legal case on its head doesn’t come about all that often—despite what you see in Hollywood movies and TV shows. The discovery process in a lawsuit generally reveals most of the evidence revealed to everyone pretty early on. And yet… in the high profile lawsuit over the copyright status of the song “Happy Birthday,” the plaintiffs “Good Morning to You Productions” (who are making a documentary about the song and are arguing that the song is in the public domain) have popped up with a last minute filing, saying they have just come across evidence that the song is absolutely in the public domain.
I could read burger blogs all day every day.
At first, it is delightful. I don’t know Facebook’s algorithm – if there is a rhyme or reason to why people appear in the list the way they do. But in the beginning they are all dear friends, and I flick through their pages, seeing profile pictures of them with loving spouses or beautiful children. The messages on their homepages vary – from inspirational quotes to cartoons to outrage over Sandra Bland’s death. I am proud of my friends. They care about people. They are politically aware. I love them. After 108 pokes, barely scratching the surface of my list of more than 600 friends, I begin to hate their smiling faces. I start poking out of spite.
A lovely relaxing puzzle game in the same mould as Monument Valley.
Prune is a love letter to trees. A game about the beauty and joy of cultivation. With a swipe of a finger, grow and shape your tree into the sunlight while avoiding the dangers of a hostile world. Bring life to a forgotten landscape, and uncover a story hidden deep beneath the soil.
But however frivolous and gimmicky it might seem, the spaghetti cone is a highly utilitarian innovation. A cardboard cone, it turns out, is an ideal delivery system for spaghetti […] The cone shape facilitates the trick by giving natural purchase to the tines of the fork as they twist. The curved sides of the cone help guide the strands of spaghetti into a ball around the fork. The twirl excludes the need for spearing any bit of food with the fork.
Tales of techno-geo-socio-politics.
Behind each domain you visit are other stories, that might happen to other people. As part of Citizen Ex, James Bridle explores six of these domains: Libya, Syria, Scotland, Wales, Yugoslavia, and the British Indian Ocean Territory, all of which are available to read online.
Will our flighty brains ever get as much out of phone screens as paper? Are the great works of literature doomed to fade away like ghosts? I wanted to find out. So I did an experiment. I pulled out my iPhone and downloaded the hugest, weightiest tome I could think of. War and Peace.
Heaven Adores You director Nickolas Rossi, on why his new documentary focuses on the positive aspects of Smith’s life:
I didn’t feel like there was this need to tell the world what I thought was wrong with Elliott Smith. It seemed like he was a normal dude who had normal problems, and there wasn’t really anything exceptional about the fact that he did drugs or was depressed. And if I was going to try to tell you where it came from, I might be wrong. I wanted something that was less about ‘Let’s psychoanalyze Elliott Smith’ and more: Let’s hear stories from his friends and from his sister and from Elliott talking about his journey. Here’s all this great music, so let’s continue to keep it alive and relevant, because it was special and it’s amazing that we should still be sharing it. We may never know how bad or weird or hard it was for him. But do you really need to know, or can you just listen to this amazing stuff and appreciate it for what it was?
So I don’t object to Marvel, or to Avengers: Age of Ultron, just because it’s not an artful, subtle little movie. That’s part of it: A pop-culture intake comprised of nothing but big spectacle is just as bad for you as an all-cheeseburger diet. But if I wanted to see something artful, I could have gone to watch Ex Machina or whatever that new David Cronenberg movie is supposed to be. I didn’t. I went to see Avengers on opening weekend. What I really dislike about Marvel is what they’re doing to stupid popcorn movies. This is a genre I care about, and they’re fucking it up.
A heartbreaking account of how our public and private selves can differ enormously.
These guys have trained a machine-learning algorithm to recognize the salient features of a few lines of rap and then choose another line that rhymes in the same way on the same topic. The result is an algorithm that produces rap lyrics that rival human-generated ones for their complexity of rhyme.
How to make a Shake Shack-style smashed burger.
The impermanance of scholarly literature.
Example: “In the year 2056, Airstrip One is patrolled by wealthy dinosaur apologists, patronized by the unlikely presdent with a German-sounding last name. Hunting artificial people is as American as Mom and Apple Pie and little girls paralyse across the earth.”
Conspiracy theorists rejoice! Kanye’s JRPG contains something very weird.
An exhaustive look at an aspect of game mechanics and design that is taken for granted by most people.
A similarly comprehensive look at what is and isn’t pixel art.
This is a phenomenally thought-through film. It’s remarkably simple and basic in its execution. It was scripted, designed, and acted to feel, as Foley puts it, “primal.” And yet it’s immaculately controlled, with each line, and each line delivery, adding to the story in tiny but measurable ways.
An unusual love story that’s better read cold. But know that Nielson, as UMO, has recorded some of the best lo-fi indie-soul albums of the past few years.
In May, 2008, I toured Witanhurst with a real-estate agent. There had been no parties there for half a century, and the house had not been occupied regularly since the seventies. The interiors were ravaged: water had leaked through holes in the roof, and, upstairs, the brittle floorboards cracked under our footsteps. The scale of the building lent it a vestigial grandeur, but it felt desolate and Ozymandian. A few weeks later, Witanhurst was sold for fifty million pounds, to a shell company named Safran Holdings Limited, registered in the British Virgin Islands. No further information about the buyers was forthcoming.
The mysteries of London property ownership. Side note: A couple of my friends rent a flat in The Grove, and count Kate Moss et al as neighbours, if not quite acquaintances.
It’s the tenth anniversary of David Foster Wallace’s brilliant commencement speech to the students of Kenyon College.
[Spotify’s] Related Artists is actually a social network for people with extremely eccentric friends: You can get from Nazis to an album of Kurt Vonnegut reading Slaughterhouse-Five in a few clicks. Here’s how: Start with Hitler, and then go to Charles Lindbergh. Take a left at Franklin D. Roosevelt, a hard left at Studs Terkel, and an even harder left at Ward Churchill. Veer slightly right (but you’re really still going left) to Howard Zinn, then Angela Davis. Enter a tunnel until you hit Lawrence Ferlinghetti. Next you’re at Gertrude Stein, who is unexpectedly close to Dorothy Parker. Head right until you see Rudyard Kipling, and after that you can’t miss Vonnegut.
Maciej Cegłowski is possibly best-known for his site Pinboard, the best bookmarking site around, and everything that Delicious once was and never will be again. I adore his travel writing just as much:
American drivers treat the car horn like a button marked EMERGENCY, to be used only at times of imminent danger or great injustice. A non-Bostonian can drive for weeks without touching the horn. If you disabled the car horns in Yemen, there would be an immediate nationwide car wreck. The horn is an essential part of Yemeni driving, and in skilled hands becomes an instrument of great subtlety. It can mean “I’m coming up behind you”, or “I’m about to turn left across five lanes of traffic”, or “I’m passing on this blind curve on a mountain road while digging with both my hands in a bag full of qat.” Drivers use it to communicate their intentions to the three-year-olds playing unsupervised in the street, and even to dogs and pack animals. Everyone speaks car horn.
Probably my favourite Bowie album gets some well-earned coverage.
Ten years of Google Maps, from Slashdot to Ground Truth. “On the occasion of this 10th anniversary, Re/code spoke with the people who were there at the beginning, and brought back their stories of how something that now seems so fundamental came to be.”
Calendars, timelines, and collages: mapping the imaginary. “I got curious about the other visual aids that novelists create to manage their books, so I asked around and gathered a variety of notebook pages, diagrams, and timelines.”
Death to typewriters. “You see, I blame typewriters for double-handedly setting typography back by centuries. Type before typewriters was a beautiful world filled with hard-earned nuance and richness, a universe of tradition and craftsmanship where letters and their arrangement could tell as many stories as the words and passages they portrayed.“
I’m Brianna Wu, and I’m risking my life standing up to Gamergate. “This weekend, a man wearing a skull mask posted a video on YouTube outlining his plans to murder me. I know his real name. I documented it and sent it to law enforcement, praying something is finally done. I have received these death threats and 43 others in the last five months.”
Our hole in the wall: an oral history of the CBGB scene. “This was a place for ugly kids to go. It wasn’t the beautiful people; it was the dirty people.”
Jupiter Ascending (2015). Last night I fell asleep in the cinema for the first time in my life. It really is that bad.
Neither competitor can actually win. NES Tetris cannot be defeated, even in a so-called “max-out” game, in which the top possible score of 999,999 points is achieved. Every game ends with a player topping out and losing. Yet the best possible loss is exactly what these men seek, though each hope to win the Championship first.
I played my fair share of NES Tetris as a kid and I got nowhere near these guys. I know the strategy—build up a stack of tesselating shapes and clear four lines at a time (a Tetris) with the long shape, but maneuvering those blocks in the correct direction at high speeds was a task too far for my childhood brain.
The piece is notable also for it’s separate special features companion post, with related links and a Q&A.
[Arcades are] a place for kids to be with other kids, teens to be with other teens, and early-stage adults to serve as the ambassador badasses in residence for the younger generation. It’s noisy, with all the kids yelling and the video games on permanent demo mode, beckoning you to waste just one more quarter. In earlier days (though well into the ‘90s), it’s sometimes smoky inside, and the cabinets bear the scars of many a forgotten cig left hanging off the edge while its owner tries one last time for a high score, inevitably ending in his or her death. The defining feature of a “real” arcade, however, is that there aren’t really any left.
Lots of interesting stuff in here. I had no idea that pinball was banned in most cities in the US between the 1940s and ’70s. I guess this means the Fonz really was a rebel.
I’d always thought that it was home video game systems that brought down the arcade business, but this piece reveals the rot had set in before they became popular. The golden age of arcades was really only a couple of years.
A lovely article that’s excellently presented and laid out, with an intro video, good typography, and panels of text that slide over nostalgic imagery.
As I’ve been out of the loop for so long, I was interested to see what new videogame blogs and sites are out there. I haven’t found many that I like, but I’m forever grateful to whoever pointed me in the direction of this article on Super Mario Bros. 3 by Tim Rogers on Action Button Dot Net.
A 10,000 word essay about a 25-year-old game, it’s one for your Instapaper or lunch break. It’s written in the mildly offhandish way of someone who knows all there is to know about their chosen subject: in this case, every mushroom, every warp whistle, every Kuribo’s Shoe (clue: there’s only one, and it’s in world 5-3).
It might be my favourite article I’ve ever read about video games.
There’s so many passages I could quote, and they are all quite long, so I’ll try and exercise restraint. This is how it starts:
Super Mario Bros. 3 was born of a multi-tiered adolescence: it was our first, it was games’ only, it was Shigeru Miyamoto’s second. Videogames, born to be the entertainment industry’s stepchild, had nearly drowned under a flood of Atari 2600 E.T.: The Game cartridges; rescued by a kind-hearted and inexplicably Japanese farmer just around the river bend, they overcame the amnesia that comes when the brain is deprived of oxygen in the best possible way: by never remembering the past. Urban legend tells us that Shigeru Miyamoto was introduced to Nintendo because his father knew the then-president Hiroshi Yamauchi. Urban legend continues to tell us that Miyamoto walked into the interview with some tentative sketches of a toy-like phone. He was told, yeah, that’s nice, though we want you to make a videogame. Shigeru Miyamoto went on to prove himself the most boring kind of genius: the kind who can walk face-first into anything and excel at it. There can be no higher compliment for a creator of world-class entertainment, really.
Rogers gives a potted history of Nintendo and Miyamoto, from Donkey Kong through the Mario and Zelda series, taking in game physics, level design, music and–repeatedly–world maps, a clear bugbear. Rogers is unerringly precise when it comes to SMB3’s influence:
Super Mario Bros. 3 is Miyamoto and friends adapting on the spot to a subtly warped world. At the time of its release–and even today, if you ask the right person–it was the biggest and most generous videogame that had ever existed, impenetrable to strategy guides, as short or as long as you wanted it to be, imaginative, bright, bold, flowing, absolutely effortlessly natural at all times. The following years would see dozens of money-sign-irised game developers attempt to slap together something reminiscient of Super Mario Bros. 3; they’d write their design documents like they were filling out a checklist, expecting lightning to strike as many times as they wanted. These people were burglars walking right into a house where the alarm was already ringing, and getting their faces smashed into the pavement; they will spend the rest of their lives being asked where the fucking diamonds are, and they will never be able to answer, because they don’t know.
Simply put, the morbid success of Super Mario Bros. 3 changed videogames for the bizarre, the way any and all success by Nintendo has ever changed videogames. There was so much love, attention to detail, generosity, and artistic conscience […] evident in Super Mario Bros. 3, and it’s all so ruthlessly accessible and playable and joyful, thanks to those amazing physics, that it’s near-unbearably heavy to think about how great it is, much less try to write about.
As you’ll have gathered, the article is as much a love letter as it is a retrospective review, and so it ends:
Super Mario Bros. 3 will remain my treasure, my precious hobby, my stay-at-home vacation, my one-man conversation, my lifelong birthday party.
Brilliant. I could hear the soundtrack in my head as I read it.
- Master of Play, Nick Paumgarten’s 2010 profile of Shigeru Miyamoto from The New Yorker.
- The World in a Chain Chomp, Kyle Orland’s shorter piece on SMB3.
- Saving Zelda, Tevis Thompson’s plea for the Zelda series to return to what he sees as its heyday.
- Game Over), David Sheff’s excellent 1993 book on the history and fortunes of Nintendo.