1: Karaoke ebooks
This is terrific. As you might guess from the ebooks part of the name, it creates Markov chains from your tweets, but it forms rhyming couplets and sets them to MIDI music. Brilliant.
2: Stop your team using technical terms and jargon – disambiguity
Most weeks I am ridiculed by someone for insisting on plain language – avoiding acronyms and technical language / jargon in particular. People tell me that I’m slowing the team down by making them use proper words, and that their end users or stakeholders expect them to use technical language.
These things are both true. You should still use plain language.
3: Across the USA by train for just $213
Traveling coast-to-coast across the United States by train is one of the world’s greatest travel experiences. Amazingly, it’s also one of the world’s greatest travel bargains — the 3,400-mile trip can cost as little as $213.
4: Scenes from our unproduced screenplay: ‘Strunk & White: Grammar Police’
It’s over here, detectives. The body was found about an hour ago.
Use the active voice, rookie.
5: As the Guardian Berliner format turns ten, we look back at a decade of design change
Ten years ago this month the Guardian launched its Berliner format. We talk to its creative team about a decade of rapid change at the paper, and examine how design is now more important than ever in helping us navigate an increasingly complicated media landscape…
6: How to Have 106 babies (and counting)
Ed Houben is Europe’s most virile man. And after years of donating sperm the “normal” way (sterile room, cup, cash), he and some women looking to get pregnant for free began cutting out the middlemen and getting it done as nature prefers it (sex!). Today, Houben has over a hundred children—and Ed the Babymaker is in greater demand than ever. We imagine you have some questions
7: How Spotify’s Discover Weekly cracked human curation at internet scale
The algorithms behind Discover Weekly finds users who have built playlists featuring the songs and artists you love. It then goes through songs that a number of your kindred spirits have added to playlists but you haven’t heard, knowing there is a good chance you might like them, too. Finally, it uses your taste profile to filter those findings by your areas of affinity and exploration. Because the playlist, that explicit act of curation, is both the source of the signal and the final output, the technique can achieve results far more interesting than run of the mill collaborative filtering.
8: Me Inc.
The paradoxical, pressure-filled quest to build a “personal brand.”
9: P.G. Wodehouse On The Dangers Of Literature
It was one of the dullest speeches I ever heard. The Agee woman told us for three quarters of an hour how she came to write her beastly book, when a simple apology was all that was required.
Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy’s Russian peasants when, after putting in a heavy day’s work strangling his father, beating his wife, and dropping the baby into the city’s reservoir, he turns to the cupboards, only to find the vodka bottle empty.
10: Apologies To The Queen Mary turns 10
A truly terrific album gets a good anniversary review.
Apologies To The Queen Mary is far more approachable, an album that spins universal reverie out of family trauma, relational struggle, and spiritual crisis. It’s music that renders the horror and delight of life on Earth as an epic struggle we all share. “I’ll believe in anything!” Krug sings at the album’s peak, desperately reaching for a fresh start and the freedom of some anti-Cheers: “where nobody knows you and nobody gives a damn.” Apologies To The Queen Mary itself can function as that kind of common ground, a set of inspiring songs many kinds of people can rally around, if only for a few fleeting moments. A decade into its history, it remains music worth believing in.
11: Future reading
I’m not entirely swayed by this piece—straw men abound—but it seems to have gotten a lot of people talking about books and reading and formats and focus, and that can only be a good thing.
From 2009 to 2013, every book I read, I read on a screen. And then I stopped. You could call my four years of devout screen‑reading an experiment. I felt a duty – not to anyone or anything specifically, but more vaguely to the idea of ‘books’. I wanted to understand how their boundaries were changing and being affected by technology. Committing myself to the screen felt like the best way to do it.
11: Nihilistic password security questions
On what street did you lose your childlike sense of wonder?
12: WEIRD SIMPSONS VHS