Vaguely sinister, possibly offensive nonsense

1: How new words are born

As dictionary publishers never tire of reminding us, our language is growing. Not content with the million or so words they already have at their disposal, English speakers are adding new ones at the rate of around 1,000 a year. Recent dictionary debutants include blog, grok, crowdfunding, hackathon, airball, e-marketing, sudoku, twerk and Brexit.

But these represent just a sliver of the tip of the iceberg. According to Global Language Monitor, around 5,400 new words are created every year (Oxford Dictionaries Online, evidently using different criteria, reckon 1.8bn). It’s only the 1,000 or so deemed to be in sufficiently widespread use that make it into print. Who invents these words, and how? What rules govern their formation? And what determines whether they catch on?

2: Passweird

This website will create for you a password that is not only secure, but is also so utterly repulsive that not even the most hardened criminal, identity thief, NSA agent, or jealous boyfriend would ever want to use it.

3: Sarah Palin’s English

In fact, a lot of what Sarah Palin says sounds like it’s been poorly translated from the Latin. With her “he who” and “one who,” she’d sound almost Ciceronian if it weren’t for the holes in her logic and the way those complicated sentences sometimes dribble off into vaguely sinister, possibly offensive nonsense.

See also The Elements of Eloquence by Mark Forsyth, an excellent book about turning the perfect English phrase.

4: Everything About Everything: David Foster Wallace’s ‘Infinite Jest’ at 20

“Infinite Jest” is a genuinely groundbreaking novel of language. Not even the masters of the high/low rhetorical register go higher more panoramically or lower more exuberantly than Wallace — not Joyce, not Bellow, not Amis. Aphonia, erumpent, Eliotical, Nuckslaughter, phalluctomy! Made-up words, hot-wired words, words found only in the footnotes of medical dictionaries, words usable only within the context of classical rhetoric, home-chemistry words, mathematician words, philosopher words — Wallace spelunked the O.E.D. and fearlessly neologized, nouning verbs, verbing nouns, creating less a novel of language than a brand-new lexicographic reality. But nerdlinger word-mongering or “stunt-pilotry” (to use another Wallace phrase) can be an empty practice indeed. You need sentences to display-case the words, and here, too, “Infinite Jest” surpasses almost every novel written in the last century, maintaining a consistent and mind-boggling descriptive mastery, as when he portrays a sunset as “swollen and perfectly round, and large, radiating knives of light … It hung and trembled slightly like a viscous drop about to fall.”

5: The Fermi Paradox is not Fermi’s, and it is not a paradox

Two big ideas often come up in discussions about the search for extraterrestrial intelligence, or SETI. One is the Drake Equation, which estimates the number of civilizations in our Galaxy whose signals we might be able to detect—potentially thousands, according to plausible estimates. The other is the so-called Fermi paradox, which claims that we should see intelligent aliens here if they exist anywhere, because they would inevitably colonize the Galaxy by star travel—and since we don’t see any obvious signs of aliens here, searching for their signals is pointless.

The Drake Equation is perfectly genuine: it was created by astronomer and SETI pioneer Frank Drake. The Fermi paradox, however, is a myth. It is named for the physicist Enrico Fermi—but Fermi never made such a claim.

6: From Berlin’s warehouses to London’s estates: how cities shape music scenes

Most modern music is an urban animal. Cities regularly birth music scenes, and artists often claim to be inspired by “the streets”, or by their neighbourhood. Yet the actual link between the music they make and the built environment where they do so is generally underplayed – spoken about as a matter of mood, or a source of lyrics. Music historians generally cite a critical mass of musicians as being crucial to the birth of a scene: classical composers in 18th century Vienna, for example, or modern metal bands in Helsinki. But the city itself? Well that’s mainly just credited as a convenient place for the musicians to hang out – though David Bowie’s residency in Berlin, for one, took that relationship to particularly intimate levels. But what if a city’s role isn’t quite so one-note?

7: Frinkiac

Frinkiac has nearly 3 million Simpsons screencaps so get to searching for crying out glayvin!

8: Winona, Forever

 Like [Holden Caulfield], teen Ryder was the smart, ambivalent outsider searching for a place in a society that opposed those very things. Even into her twenties, in Reality Bites and Girl, Interrupted, she was more of a delayed adolescent than an adult. Ryder was unable to move on because of what moving on meant. And we weren’t either. Our Nonistalgia keeps her cloistered to this day in adolescence, alongside then-boyfriend Johnny Depp, before he cashed in on his eccentricity. But despite our attempts to resuscitate the past—Beetlejuice 2, Heathers: The Musical, Marc Jacobs—and as young as Ryder continues to look, she is no longer that ‘90s ingénue. In that sense she and Holden really are a team. “[Caulfield’s] central dilemma is that he wants to retain a child’s innocence, solipsism, and clarity,” wrote Harold Bloom, “but because of biology he must move into either adulthood or madness.”

All the city’s flotsam and jetsam

1: Cancer and climate change

I’m a climate scientist who has just been told I have Stage 4 pancreatic cancer.

This diagnosis puts me in an interesting position. I’ve spent much of my professional life thinking about the science of climate change, which is best viewed through a multidecadal lens. At some level I was sure that, even at my present age of 60, I would live to see the most critical part of the problem, and its possible solutions, play out in my lifetime. Now that my personal horizon has been steeply foreshortened, I was forced to decide how to spend my remaining time. Was continuing to think about climate change worth the bother?

2: Ten thousand years of the mortar and pestle

3: Vader’s Redemption: The Imperial March in a Major Key

4: The tube at a standstill: why TfL stopped people walking up the escalators

It’s British lore: on escalators, you stand on the right and walk on the left. So why did the London Underground ask grumpy commuters to stand on both sides? And could it help avert a looming congestion crisis?

5: Google Earth fractals

The following is a “photographic” gallery of fractal patterns found while exploring the planet with Google Earth. Each is provided with a KMZ file so the reader can explore the region for themselves. Readers are encouraged to submit their own discoveries for inclusion, credits will be included. Besides being examples of self similar fractals, they are often very beautiful structures … not an uncommon characteristic of fractal geometry.

6: The digital materiality of GIFs

The history, present and future of GIFs.

7: A collection of Bat-labels

Collecting the explanatory labels on everything in the 1966-1968 Batman TV series.

8: Michael Wolf captures abstract, accidental sculptures in Hong Kong alleyways

For over 20 years Michael Wolf has been photographing Hong Kong. During that time he has captured the towering pastel facades of its high rise architecture in a vein similar to Thomas Struth or Andreas Gursky, but perhaps more interestingly he has delved into the hidden maze of the city’s back alleys. What he found and has faithfully documented, are the innumerable abstract urban still lifes seen throughout. All the city’s flotsam and jetsam, from clusters of gloves and clothes hangers, to networks of pipes and a full colour spectrum of plastic bags, are photographed in strange, but entirely happenstance arrangements.

9: A list of the 100 oldest rockstars still living

10: ‘Shocking celebrity nip slips’: Secrets I learned writing clickbait journalism

I spent six months writing traffic-baiting articles about ‘nearly naked’ red carpet dresses and Hollywood bikini shots. Here is my dispatch from the dark side of online celeb journalism.

11: Poachers using science papers to target newly discovered species

Academic journals have begun withholding the geographical locations of newly discovered species after poachers used the information in peer-reviewed papers to collect previously unknown lizards, frogs and snakes from the wild, the Guardian has learned.

12: Why I ignore the daily news and read The Economist instead (and how you can too)

But there’s one big downside to the The Economist: it’s a bear to read every week. Not because of the writing, which is crisp and engaging, but because of the volume. Each issue contains about 90 pages of densely packed 9-point type and few photos.

Here’s my 7-step system for reading The Economist every week.

A jigsaw everyone could put together differently

1: Simply everything: On David Bowie

But as much as Bowie borrowed and benefitted from the likes of Iggy Pop and Brian Eno, there was a there there. Bowie may not have had a soul, but he had heart (or maybe it was the other way around). Everything he absorbed was then refracted back through his unique sensibility, one that was at once and in no particular order sentimental and dead-eyed. With Bowie, you could never tell if you were being lured into feelings, if the whole thing was an elaborate prank, or if Bowie’s music was pulsating with emotion despite all its cunning and pretense. It almost doesn’t matter. Bowie’s music means so much to so many of us that artist intention seems beside the point. “Soul Love” projects warmth even if it’s meant as kitsch; the melodramatic “Life on Mars” soars; his over-the-top version of “Word on a Wind” still cuts to the quick.

2: David Bowie: Ground control to Davy Jones

Cameron Crowe’s 1976 feature for Rolling Stone:

“Rock & roll is a very accessible medium for any young artist. Don’t you think so? I like music but it’s not my life by any stretch of the imagination. I mean I was a painter before, but as a painter I couldn’t make enough money to live on. So I went into advertising and that was awful. That was the worst. I got out of that and tried rock & roll because it seemed like an enjoyable way of making my money and taking four or five years out to decide what I really wanted to do. I have no ideals on being a starving artist at all.”

3: David Bowie on the Ziggy Stardust years: ‘We were creating the 21st Century In 1971’

Having not really written any generational songs, I think maybe two or three of the songs that I’ve ever written have any bearing on the age of the listener. My stuff tends to be far more concerned with the spiritual, and with subjects like isolation and being miserable, so I think that sort of touches on really any age group. So in my terms, they’re just songs. The vehicle for those songs is a music that did indeed start as a youth-culture music, but it has aged well in itself and it has become a vast and complex thing now. There’s so many subdivisions and styles and variations. No, it’s just what I do. I wouldn’t know how to write and play any other kind of music, frankly.

4: Go put on David Bowie’s Hunky Dory

My friend Jeva:

But when I discovered David Bowie on my own terms, it was with 1971’s Hunky Dory — an album I still believe to be his greatest, if not one of the greatest albums of all time. For someone as prolific and ever-shifting as Bowie, the singer’s fourth album is still the best chance we have to hear all the different shades of him in one go — the outer-space song alongside the song for kooks, a track about Andy Warhol following up a command to fill our hearts. Hunky Dory is both a “start here” album and an “end here” album, even though so many of us never thought there’d truly be an end. Blackstar, Bowie’s latest album that was released on his 69th birthday Friday, is hailed to be as good as the stuff he was making in his so-called prime.

5: ohyouprettythings.com

6: The life changing power of discovering David Bowie

What you found wasn’t one Bowie, but layers of him, a jigsaw everyone could put together differently. Fit it together in the right way, and the jigsaw’s solution was a mirror—a way to understand yourself through this extraordinary man. For many, the mirror arranged itself in a way that let them realize who they were and who they wanted. The boxes of gender, style, self-expression or sexuality you were put into were just a push away from tearing open.

7: David Bowie’s top 100 must-read books

American classics of the 50s and 60s are strongly represented – On the Road by Jack Kerouac, Truman Capote’s In Cold Blood – as are tales of working-class boys made good, which emerged in the postwar years: Keith Waterhouse’s Billy Liar and Room at the Top by John Braine, and The Outsider by Colin Wilson, a study of creativity and the mindset of misfits. RD Laing’s The Divided Self speaks to a fascination with psychotherapy and creativity, as does The Origin of Consciousness in the breakdown of the Bicameral Mind, by Julian Jaynes. There is no evidence that Bowie’s scientific inquries extend beyond psychology – Stephen Hawking’s cosmic theories are out – but his tastes are otherwise broad.

8: BowieNet: how David Bowie’s ISP foresaw the future of the internet

9: My husband’s stupid record collection: David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972)

(The premise of this blog: ‘Where I listen to my husband’s record collection, one record at a time, and tell you what I think.’)

Oh okay, so The Spiders From Mars are the band members. I get it. I feel like if this is such a concept album that the lyrics should have been included in the liner notes to really pore over the story. I could tell he was trying to tell a story just by looking at the cover though! According to the website, “The album is the story of an alien rock superstar called Ziggy Stardust who reaches fame just as the Earth enters the last five years of its existence. He ends up the victim of his own success and becomes a “rock n roll suicide.” I didn’t exactly get that on my own. But that’s okay. Honestly, the meaning of the concept album isn’t that important to me, I just like the songs. I will definitely put this album on again, I feel like I’ll discover more and more layers with each listen, and I’ll remember to play it at maximum volume.

10: Queen and David Bowie – “Under Pressure” (isolated lead vocal tracks)

I want to be a 55-year-old black musician

1: Better as a Tweet

From John Herrman’s excellent Awl series, The Content Wars:

What’s unusual about text, and which helps explain why journalists’ reactions to this change are so confident and visceral—as opposed to the resigned and uncertain responses they have to changes in Facebook, which, to them, is much more powerful in ways they can control much less—is that, unlike, say, native Twitter images, which marginalized a small number of Twitter-specific companies, longer posts change a professional calculus for anyone who uses Twitter to promote writing online. An old boss used to say, half-joking and then eventually not joking at all, “maybe that story would be better as a tweet.” What was initially almost pejorative—said to mean “short” or “slight” or “unworthy of a longer post”—became a complex judgement. Could this piece of news be conveyed well in a sentence or two with an image or video? Could we just screenshot that statement, or release, rather than asking people to follow a link to a post where it’s quoted? If the answer is yes, then the corresponding reader question—would I rather see this on Twitter, or click on some site—is answered as well.

The ability to post 10,000 characters will make the answer to that question “yes” in a majority of situations. Possibly a large majority! This post, for example, would fit in a 10,000 word text card. I doubt anyone reading it expanded in their Twitter feed would think, “damn, I wish I was reading this on a website instead of right here! I wish I had clicked a link, for some reason!” This is somewhat worrying if you’re in the business of making posts against which ads are sold.

2: What’s the plural of emoji?

You may well have seen this doing the rounds—just as interesting is Meyer’s follow-up note.

3: An isochronic map of the world, c. 1914

This is an isochronic map – isochrones being lines joining points accessible in the same amount of time – and it tells a story about how travel was changing. You can get anywhere in the dark-pink section in the middle [London] within five days – to the Azores in the west and the Russian city of Perm in the east. No surprises there: you’re just not going very far. Beyond that, things get a little more interesting. Within five to ten days, you can get as far as Winnipeg or the Blue Pearl of Siberia, Lake Baikal. It takes as much as 20 days to get to Tashkent, which is closer than either, or Honolulu, which is much farther away. In some places, a colour sweeps across a landmass, as pink sweeps across the eastern United States or orange across India. In others, you reach a barrier of blue not far inland, as in Africa and South America. What explains the difference? Railways.

4: After years directing indie films, Transparent star Jay Duplass found himself in an unlikely place: in front of the camera

It’s a choice that belies Jay’s relative lack of acting experience. He and Mark began making movies in New Orleans when they were very young, and because of their age difference — Jay is four years older than Mark — it worked out that Jay would operate the camera while Mark stayed in front of it. As they grew up, they lived what Jay calls an “uncultivated, un-curated” childhood, filled with street football and DIY art projects and a general improvisational spirit, including a deep involvement in music.

“When you grow up in New Orleans, like, the only way to be an artist is to be a 55-year-old black musician. That’s basically what we wanted to be,” he said. “If you had asked me very truthfully what I wanted to be when I was 16, the answer would’ve been, ‘I want to be a 55-year-old black musician.’”

5: Ruth and Martin’s album club: Ram by Paul McCartney

Martin Carr (The Boo Radleys) listens to Ram for the first time. Spoiler: he loves it. As he should. (See also Dave Depper’s The Ram Project, where he re-recorded everything you can hear on the album over the course of a single month.)

6: Pavement: 10 of the best

Where is ‘Shady Lane’?

Participation in a metaphysical polemic

1: The DNA of a London Underground Station

This is endlessly fascinating:

On 1st December 2015 Transport for London (TfL) unveiled its new design bible, the Design Idiom. Though the name may sound grandiose, the goal is simple: create a document that captures the design aesthetic of the Underground, so that good design can help drive decision-making at London Underground.

“It’s all about bringing good design to the forefront of our thinking.” explains Mark Evers, Director of Customer Strategy at TfL. “Very simply, setting out the key principles that can help us deliver well-designed stations in the future, every time.”

“This Design Idiom is about taking that step back and making sure that in the future we are thinking far more holistically about the way we should be undertaking work on our stations.”

2: My first book: Adventures in learning to read Japanese

All readers are familiar with the sensation of falling into a book. By their very nature, books invite you to immerse yourself in the world they have constructed. When it comes to a book in another language, however, such immersion feels both familiar and alien. While reading Kokoro no mori, I felt like a seasoned explorer suddenly sent to scope out Mars: the process was the same, but everything else was totally different. I had to attune myself to the rhythms of another language, to slowly gather an instinct for its patterns and structures, its particular logic. After spending so long in comfortable, well-trod terrain, finding myself in a new one was intimidating, exhilarating, and mesmerizing, all at once.

I’m currently learning Italian and, a few weeks ago, I opened up La Gazzetta dello Sport. Big mistake. I could feel the motivation evaporating out of me. I can hardly imagine reading a novel in another language.

3: Toward a new fantastic: Stop calling it science fiction

This is a wonderful paragraph:

This attitude toward science is widespread and can be found in both the resurgence of the popular television show Cosmos, as well as with popular websites like “I Fucking Love Science,” both of which exist in some form to produce questionably accurate infographics for social network sites. In terms of the latter, we are able to see the confusion: When my cousin posts a picture of a wild-looking insect from an exotic part of the world with the caption “I Fucking Love Science,” I am not sure what I am supposed to be celebrating. Is my cousin an enthusiast of the natural world? An advocate of empirical methodologies? Is his participation in a metaphysical polemic willing or unwitting? Either way, science did not give us the tap-dancing mating ritual of the rainbow spider, and it sure as hell is not the gatekeeper for my enjoyment of it.

4: Why we all dream of being jewel thieves

Stories about burglaries and heists don’t often appeal to me. But using them as jumping off points to discuss city topology, that’s something else entirely:

These examples are not only fascinating on their own as infrastructural factoids or as urban esoterica: They are also evidence that the logic of the city of London is already a logic of secret connections and startling proximities. Putting this knowledge to work in order to access bank vaults or to plunder safe deposit boxes is thus, in some ways, just an everyday temptation encountered by living in England’s capital city—as if cutting holes through walls, or digging tunnels between buildings, is, perversely, one of the more efficient ways of moving through the city.

The fabric of London, then, is one defined by perforation: serendipitous adjacencies that allow for movement out of sight and across property lines, through walls, from one building to another. After all, in a city where you can open a door in the base of a statue and walk underground to an entirely other neighborhood, in a sense, why not dream of bank tunnels?

5: When San Diego hired a rainmaker a century ago, it poured

As California endures its worst drought in 1,200 years, residents of the Golden State are turning to extreme—and desperate—measures to quench their collective thirst. Sun-baked farmers are hiring “water witches” to divine underground water sources with forked branches, while a company called Rain on Request has pledged to end the drought by building electrical towers that would induce rainfall by ionizing the atmosphere. When California found itself in a similar parched position exactly 100 years ago, the city of San Diego did something that seems even more bizarre—it hired a rainmaker. The thing is, it might have worked. After Charles Mallory Hatfield began his work to wring water from the skies, San Diego experienced its wettest period in recorded history. So was the rain an act of God or an act of Hatfield?

6: Dear architects: sound matters

A nice interactive look at how architects should consider sound in their plans. (This works on all devices but is best on a desktop with headphones.)

7: Windows 95 on a Nintendo 3DS is as strange as you’d think

8: Word count for web pages

Key takeaway:

Word counts can be harmful to usability. Structured, user-centred, well researched content is all you need.

9: 25 years after its imperial phase: Who killed shoegaze?

With the release of MBV’s Loveless, 1991 marked the high water mark for shoegaze before the music press turned its back with a nose-high snort of derision. Ben Cardew looks over the history of the genre and asks if its decline was simply because the music just got boring.

10: Style guide best practices at Beyond Tellerrand

Brad Frost:

Last month I was in beautiful Berlin for the wonderful Beyond Tellerrand conference, where I had the opportunity to talk about style guide best practices and all that goes into creating and maintaining successful pattern libraries.

The result is this garbage

1: The website obesity crisis

A typically great talk by Maciej, who appears on this site more than most:

Let me start by saying that beautiful websites come in all sizes and page weights. I love big websites packed with images. I love high-resolution video. I love sprawling Javascript experiments or well-designed web apps.

This talk isn’t about any of those. It’s about mostly-text sites that, for unfathomable reasons, are growing bigger with every passing year.

While I’ll be using examples to keep the talk from getting too abstract, I’m not here to shame anyone, except some companies (Medium) that should know better and are intentionally breaking the web.

2: What’s a species, anyways?

The search for the red wolf’s origins have led scientists to a new theory about how evolution actually works.

3: All I want for Christmas is MIDI

i put “All I Want for Christmas is You” through a MIDI converter, and then back through an mp3 converter

the result is this garbage

4: The Music Word Processor: Who we are

In short: rather than music criticism, The Music Word Processor is music criticism criticism. This blog is a space to explore questions like: what is the state of music writing in the 21st century? Is the corporatization of music writing inevitable? What are the kinds of narratives constructed by music writers and publications?

5: Make Believe Mailer Vol. 6: ナイス ニューズレター! 力限りない

From a newsletter by Patrick St. Michel about supposedly “Japanese” artists on the web:

At some point in 2015, these badly photoshopped, boring homages to the first generation of vaporwave — which had been released unobtrusively through Mediafire for the most part — outnumbered releases from real Japanese artists. For a while, I just stopped using Bandcamp as a place to explore new Japanese music, because everything tagged “Japan” seemed like a lie. it was annoying, but not as annoying as toggling over to the “best-selling” section and seeing the exact same thing. And all of the albums seemed to come primarily from one place.

6: The science myths that will not die

Some dangerous myths get plenty of air time: vaccines cause autism, HIV doesn’t cause AIDS. But many others swirl about, too, harming people, sucking up money, muddying the scientific enterprise — or simply getting on scientists’ nerves. Here, Nature looks at the origins and repercussions of five myths that refuse to die.

7: What I’m currently reading

Let’s see what the dog will do

12 weird, excellent Twitter bots chosen by Twitter’s best bot-makers

This includes several of my favourites. (A reminder that I have an ebooks bot (also created by Brett), @cold_ebrains. If you follow it it might talk to you.

Noel Gallagher talks to GQ

I’m not quite sure it deserves its own subdomain, but it’s typically good value from Gallagher. A typical quote:

And I hate pop stars who are just… neh. Just nothing, you know? “Oh, yeah, my last selfie got 47-thousand-million likes on Instagram.” Yeah, why don’t you go fuck off and get a drug habit, you penis?

How we became the heaviest drinkers in a century

Everyone in alcohol research knows the graph. It plots the change in annual consumption of alcohol in the UK, calculated in litres of pure alcohol per person. (None of us drinks pure alcohol, thankfully; one litre of pure alcohol is equivalent to 35 pints of strong beer.) In 1950, Brits drank an average of 3.9 litres per person. Look to the right and at first the line barely rises. Then, in 1960, it begins to creep upward. The climb becomes more steady during the 1970s. The upward trajectory ends in 1980, but that turns out to be temporary. By the late 1990s consumption is rising rapidly again. Come Peak Booze, in 2004, we were drinking 9.5 litres of alcohol per person – the equivalent of more than 100 bottles of wine.

Why is English so weirdly different from other languages

Nevertheless, the Latinate invasion did leave genuine peculiarities in our language. For instance, it was here that the idea that ‘big words’ are more sophisticated got started. In most languages of the world, there is less of a sense that longer words are ‘higher’ or more specific. In Swahili, Tumtazame mbwa atakavyofanya simply means ‘Let’s see what the dog will do.’ If formal concepts required even longer words, then speaking Swahili would require superhuman feats of breath control. The English notion that big words are fancier is due to the fact that French and especially Latin words tend to be longer than Old English ones – end versus conclusion, walk versus ambulate.

Alvin and the Chipmunks played at 16 RPM

Super sludgy and very listenable.

What can a technologist do about climate change?

A hugely comprehensive look at what Silicon Valley’s best could do to tackle a rather bigger problem.

This is a “personal view”, biased by my experiences and idiosyncrasies. I’ve followed the climate situation for some time, including working on Al Gore’s book Our Choice, but I can’t hope to convey the full picture — just a sliver that’s visible from where I’m standing. I urge you to talk to many scientists and engineers involved in climate analysis and energy, and see for yourself what the needs are and how you can contribute.

This is aimed at people in the tech industry, and is more about what you can do with your career than at a hackathon. I’m not going to discuss policy and regulation, although they’re no less important than technological innovation. A good way to think about it, via Saul Griffith, is that it’s the role of technologists to create options for policy-makers.

The archive of eating

One 84-year-old librarian has spent more than half her life building a comprehensive database of cookbooks throughout history. […] From ladyfingers to latkes is a prose poem suggestive of whole worlds. The list runs on and on, from aal (German for eel) to zucchini, seeming to contain the promise of a universal cookbook of European and American cuisine, pieced together from all the recipes ever written — a Borgesian feat of quixotic and fantastical taxonomy.

The new New York skyline

This is beautifully presented.

Manhattan is in the midst of an unprecedented boom in tall buildings. Before 2004, Manhattan was home to 28 skyscrapers 700 feet and taller. Since then, an additional 13 have been built, 15 are under construction, and 19 are proposed—47 more in all. These additions are rapidly—and radically—changing the skyline.

Quiz: The pieces everything is made of

A quiz about the elements of the periodic table by Randall Munroe.

Several years ago, Munroe, the creator of the Web comic “xkcd,” published his own blueprint of a Saturn V rocket, the launch vehicle that sent the Apollo astronauts to the moon. He called it “Up Goer Five.” The blueprint, he explained in a parenthetical note, was annotated “using only the ten hundred words people use the most often”—that is, the thousand most common words in English. It was aerospace engineering made simple. The rocket’s tower-jettison motor became the “thing to help people escape really fast if there’s a problem and everything is on fire so they decide not to go to space.” The Apollo command module became the “people box.”

Buster Keaton – The art of the gag

Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of the founding fathers of visual comedy. And nearly 100 years after he first appeared onscreen, we’re still learning from him. Today, i’d like to talk about the artistry (and the thinking) behind his gags.

Brown acid black leather: The story Of The Jesus And Mary Chain’s Psychocandy

We couldn’t understand why people couldn’t love both things and that combination of melody and extreme noise was so obvious to us. And they were equally as important. And so was Motown. Take ‘Just My Imagination’ – that’s three chords with really strange reverb on it. Everybody talks about The Velvets but we were more than that. Nobody really mentions the Motown influences or glam rock. You know, stuff like Gary Glitter and that were a huge thing in our life when we were young. The first thing we bought was T-Rex.

The current abbrev trend has been increasing

1: Don’t Hug Me I’m Scared 5

I hadn’t seen or heard of the previous five episodes of this bafflingly brilliant series.

2: Ermahgerddon: The untold story of the ermahgerd girl

Meet Maggie Goldenberger, who helplessly watched an Internet meme spawn from her awkward adolescent photo. Except, maybe the “Gershberms” girl never existed at all?

3: The biggest man: understanding Andre the Giant, wrestling’s massive, indefinable contradiction

Andre Roussimoff, a.k.a. Monster Roussimoff, a.k.a. Monster Eiffel Tower, a.k.a. Géant Ferré, a.k.a. Giant Machine, a.k.a. Andre the Giant, was neither particularly childlike nor particularly averse to fly-hurting. Very large men who deal in violence for a living are seldom unchanged by what they do, even when the violence is mostly symbolic and theatrical, as it was for Andre.

4: Jonathan Gliniak’s answer to ‘What are the best true scary stories?’

About 7 years ago I got an invitation to attend my cousins dinner party. I have never seen my cousin before and only spoke to him on the phone. I was surprised that his family unexpectedly invited me after all these years.

5: A melody written by a crowd

This is an experiment in crowd-sourced songwriting. A melody is currently being generated, note by note, in real-time, using the popular vote of the crowd.

Will the Wisdom of the Crowd create something special?

6: Elliott Smith is sad, like you

The singer, who died on October 21, 2003, always maintained that he loved making his music, even as his music usually claimed that he didn’t love much at all.

7: Cast of characters

Taking a closer look at new Medium fonts: Charter and Kievit.

8: Wind and solar keep getting cheaper and cheaper

The report was based on analysis of some 55,000 projects around the world, says Henbest. And it found that globally, onshore wind now on average costs $83 per megawatt-hour of electricity ($2 cheaper than in the first half of the year), and thin film solar photovoltaics costs $122 per megawatt-hour — a drop of $7 in just half a year.

That presents an increasingly favorable comparison with fossil fuels — though it still depends greatly on where you are located. Coal-fired electricity cost $75 per megawatt-hour in the Americas, but $105 in Europe. Gas-fired generation cost $82 in the Americas and $118 in Europe, on average, the report found.

9: I went under the sheets of New York’s professional cuddling industry — here’s what I found

Liza Stahl’s head bobbed gently as it rested on my chest; her breathing was calm and measured. With my left arm I held her close to me. We joked and giggled as our bodies intertwined. It was a spectacular day; sunlight poured into her East Harlem, New York City, apartment. It was a scene from a movie. In another world, she was my girlfriend; in another place, we were madly in love.

Stahl, however, was not my girlfriend, and we were not in love. In fact, we had only met minutes before. Stahl (which is not her real name) is a professional cuddler, and for $80 an hour, she will cuddle, spoon, comfort and caress just about any man who walks through her door.

10: Why are your fav abbrevs totes legit hard to spell?

Linguist Rebecca Starr points out that while there are some earlier abbrevs, like commish (from commissioner) from 1910 and delish from 1920, the current abbrev trend has been increasing since the mid-2000s.

The interesting thing about abbrevs is that they’re based on sound, not on spelling. Just think about how we have to respell certain words when making them into abbrevs, such as delish, presh, profesh, unfortch, and sitch. And with words like funksh (function), relash (relationship), fuche (future), natch (naturally), or sosh (sociology), you might not even be able to tell from the abbrev what the original word was.

11: Mike Rugnetta’s answer to “how do I read interesting and challenging stuff?”

Ah! This is a great question! And one I don’t think have a great answer to. My interest in reading difficult stuff didn’t really develop until well after I was in a position to be taught, by professional Readers of Difficult Stuff, how to do so. BUT! I’ve learned some things on my own and they work for me and maybe they’ll be of some assistance?

12: Subscribe by email

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On what street did you lose your childlike sense of wonder

1: Karaoke ebooks

This is terrific. As you might guess from the ebooks part of the name, it creates Markov chains from your tweets, but it forms rhyming couplets and sets them to MIDI music. Brilliant.

2: Stop your team using technical terms and jargon – disambiguity

Most weeks I am ridiculed by someone for insisting on plain language – avoiding acronyms and technical language / jargon in particular. People tell me that I’m slowing the team down by making them use proper words, and that their end users or stakeholders expect them to use technical language.

These things are both true. You should still use plain language.

3: Across the USA by train for just $213

Traveling coast-to-coast across the United States by train is one of the world’s greatest travel experiences. Amazingly, it’s also one of the world’s greatest travel bargains — the 3,400-mile trip can cost as little as $213.

4: Scenes from our unproduced screenplay: ‘Strunk & White: Grammar Police’

BEAT COP
It’s over here, detectives. The body was found about an hour ago.

STRUNK
Use the active voice, rookie.

5: As the Guardian Berliner format turns ten, we look back at a decade of design change

Ten years ago this month the Guardian launched its Berliner format. We talk to its creative team about a decade of rapid change at the paper, and examine how design is now more important than ever in helping us navigate an increasingly complicated media landscape…

6: How to Have 106 babies (and counting)

Ed Houben is Europe’s most virile man. And after years of donating sperm the “normal” way (sterile room, cup, cash), he and some women looking to get pregnant for free began cutting out the middlemen and getting it done as nature prefers it (sex!). Today, Houben has over a hundred children—and Ed the Babymaker is in greater demand than ever. We imagine you have some questions

7: How Spotify’s Discover Weekly cracked human curation at internet scale

The algorithms behind Discover Weekly finds users who have built playlists featuring the songs and artists you love. It then goes through songs that a number of your kindred spirits have added to playlists but you haven’t heard, knowing there is a good chance you might like them, too. Finally, it uses your taste profile to filter those findings by your areas of affinity and exploration. Because the playlist, that explicit act of curation, is both the source of the signal and the final output, the technique can achieve results far more interesting than run of the mill collaborative filtering.

8: Me Inc.

The paradoxical, pressure-filled quest to build a “personal brand.”

9: P.G. Wodehouse On The Dangers Of Literature

It was one of the dullest speeches I ever heard. The Agee woman told us for three quarters of an hour how she came to write her beastly book, when a simple apology was all that was required.

And:

Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy’s Russian peasants when, after putting in a heavy day’s work strangling his father, beating his wife, and dropping the baby into the city’s reservoir, he turns to the cupboards, only to find the vodka bottle empty.

10: Apologies To The Queen Mary turns 10

A truly terrific album gets a good anniversary review.

Apologies To The Queen Mary is far more approachable, an album that spins universal reverie out of family trauma, relational struggle, and spiritual crisis. It’s music that renders the horror and delight of life on Earth as an epic struggle we all share. “I’ll believe in anything!” Krug sings at the album’s peak, desperately reaching for a fresh start and the freedom of some anti-Cheers: “where nobody knows you and nobody gives a damn.” Apologies To The Queen Mary itself can function as that kind of common ground, a set of inspiring songs many kinds of people can rally around, if only for a few fleeting moments. A decade into its history, it remains music worth believing in.

11: Future reading

I’m not entirely swayed by this piece—straw men abound—but it seems to have gotten a lot of people talking about books and reading and formats and focus, and that can only be a good thing.

From 2009 to 2013, every book I read, I read on a screen. And then I stopped. You could call my four years of devout screen‑reading an experiment. I felt a duty – not to anyone or anything specifically, but more vaguely to the idea of ‘books’. I wanted to understand how their boundaries were changing and being affected by technology. Committing myself to the screen felt like the best way to do it.

11: Nihilistic password security questions

On what street did you lose your childlike sense of wonder?

12: WEIRD SIMPSONS VHS

Migrants are too wealthy

1: Spotify is getting unbelievably good at picking music — here’s an inside look at how

There’s a playlist on Spotify I love called Discover Weekly. It’s updated every Monday with a mix of songs, some I know and some I’ve never heard, crossing into almost every genre with no discernible pattern. Like magic, it just knows what I want to hear.

It’s one of the reasons why I’m listening to Spotify more than ever. And I’m not alone.

I’m pleased with Spotify’s Discover playlist. Mine this week is 30 songs (2hr 1m) and is a nice mix of bands I’ve never heard of, back-catalogue songs by bands I know, and a handful of songs I own and/or I’ve listened to (on Spotify) multiple times. I think this last tactic is deliberate; relatively few people will want two hours of music that they’re completely new to, and will appreciate a bit of familiarity along the way. I’d like more new (to me) music, but I’m a bit odd: maybe ‘Discover’ could be an integral part of the Spotify app, along with ‘Browse’ and ‘Radio’ and the like, that we could tinker with using filters and settings depending on what we want to expose ourselves to.

I still like Apple Music, by the way, and I’ll likely carry on paying for it and using the free version of Spotify, which I downgraded to a couple of months ago. But the excitement of the ‘For You’ section in Apple Music has worn off. There’s only so many times I want to see ‘An Introduction To’ an act whose back catalogue I own in its entirety, nor ‘Deep Cuts’.

2: Social decay: How Tweets can predict the death of an app

We used Twitter data to analyze the health of social apps and find out which ones might be in trouble — or, as we call it, in social decay.

Interesting to see the slow decline of This Is My Jam, and how Ello has peaked, dropped and plateaued.

3: How to write a great error message

Your job as product manager, designer or developer of an app is to recognize that writing copy in your app is not something that you can just do on the side. It’s just as important as having the application work correctly and the user interface being easy and efficient to use.

4: Surprised that Syrian refugees have smartphones? Sorry to break this to you, but you’re an idiot

On the surface this may look like xenophobia searching for something to grab on to following a shift in the public mood towards refugees from the Middle East. But it is actually a fairly progressive stance: just weeks ago the anti-immigration brigade were complaining that migrants are unskilled and just want our benefits. And now they’re arguing that migrants are too wealthy instead, implicitly arguing we should prioritise helping the poor. But in any case, it does raise an interesting question: Exactly how surprised should we be that people from Syria carry smartphones?

5: How media ‘fluff’ helped Hitler rise to power

In the years preceding World War II, news outlets from home magazines to the New York Times ran profiles of the Nazi leader that portrayed him as a country gentleman — a man who ate vegetarian, played catch with his dogs and took post-meal strolls outside his mountain estate […] The 1930s marked the rise of celebrity culture, in the era of talking movies, radio and new lifestyle magazines […] Hitler’s propagandists took advantage of the new celebrity culture and even helped to shape it.

6: Nintendo’s Shigeru Miyamoto explaining World 1-1 is the best game design lesson of the week

Miyamoto talks level design.