Students and staff can start to see how digital technologies work – those that underpin the Web and elsewhere. They can think about how these technologies shape the formation of their understanding of the world – how knowledge is formed and shared; how identity is formed and expressed. They can engage with that original purpose of the Web – sharing information and collaborating on knowledge-building endeavors – by doing meaningful work online, in the public, with other scholars. That they have a space of their own online, along with the support and the tools to think about what that can look like.
It doesn’t have to be a blog. It doesn’t have to be a series of essays presented in reverse chronological order. You don’t have to have comments. You don’t have to have analytics. You can delete things after a while. You can always make edits to what you’ve written. You can use a subdomain. (I do create a new subdomain for each project I’m working on. And while it’s discoverable – ostensibly – this work is not always linked or showcased from the “home page” of my website.) You can license things how you like. You can make some things password-protected. You can still post things elsewhere on the Internet – long rants on Facebook, photos on Instagram, mixes on Soundcloud, and so on. But you can publish stuff on your own site first, and then syndicate it to these other for-profit, ad-based venues. […]
That’s your domain. You cultivate ideas there – quite carefully, no doubt, because others might pop by for a think. But also because it’s your space for a think.
Active Collab, who make project management software, have moved their blog (back) from Medium to their own domain. They list the reasons, with conflicts of interest affecting calls to action an important factor, along with SEO:
A blog should build company’s brand and authority, not Medium’s. As such, it should be a part of [the] activecollab.com [website]. We actively write good content and we should be the ones to get the SEO benefits.
The more quality content we have as part of our domain, the greater our domain authority is and the better we’ll rank in search results. We should be the ones to reap the benefits from our work, not someone else.
It’s not that designers coding is totally irrelevant right now; I would happily debate that with anyone interested. But if software is eating the world, software design ought to be as diverse as the world itself. I would encourage designers to think about their roles and skills in the broadest sense, in terms of their knowledge of humanity and the world, rather than the technical deliverables of today. Divergent processes will become mandatory for survival and in the future I expect the question “should designers code?” to make as much sense as “should urban planners carve wood?” Our practice on the other end of this moment has a good chance of entering the most diverse, vital era we’ve ever known, which should be celebrated and encouraged rather than squashed and judged.
New fiction podcast: part Serial, part X-Files. A bit hammy at times, but promising.
Ten years ago, over three hundred men, women and children disappeared from a small town in Tennessee, never to be heard from again.
In this seven-part podcast, American Public Radio host Lia Haddock asks the question once more, “What happened to the people of Limetown?”
These aren’t your prototypical bucket-and-pail sand structures. Matt Kaliner’s creations deserve an architectural category all their own.
She has a knack for a good story, she’s great with people. Sure she couldn’t remember whether the Prime Minister of Great Britain attended her 40th birthday party. But then, who does remember these sorts of finer details?
Sure, but he’s making over $160k per day on new registrations.
It’s a beautiful, elegant solution that gets it all wrong, and it’s time to move on.
The ballpoint’s universal success has changed how most people experience ink. Its thicker ink was less likely to leak than that of its predecessors. For most purposes, this was a win—no more ink-stained shirts, no need for those stereotypically geeky pocket protectors. However, thicker ink also changes the physical experience of writing, not necessarily all for the better.
Grimes started as a fantasy project, then became too real. Now Claire Boucher is taking back control and showing the world that pop stars can be producers too.
Last minute evidence that completely turns a legal case on its head doesn’t come about all that often—despite what you see in Hollywood movies and TV shows. The discovery process in a lawsuit generally reveals most of the evidence revealed to everyone pretty early on. And yet… in the high profile lawsuit over the copyright status of the song “Happy Birthday,” the plaintiffs “Good Morning to You Productions” (who are making a documentary about the song and are arguing that the song is in the public domain) have popped up with a last minute filing, saying they have just come across evidence that the song is absolutely in the public domain.
I could read burger blogs all day every day.
At first, it is delightful. I don’t know Facebook’s algorithm – if there is a rhyme or reason to why people appear in the list the way they do. But in the beginning they are all dear friends, and I flick through their pages, seeing profile pictures of them with loving spouses or beautiful children. The messages on their homepages vary – from inspirational quotes to cartoons to outrage over Sandra Bland’s death. I am proud of my friends. They care about people. They are politically aware. I love them. After 108 pokes, barely scratching the surface of my list of more than 600 friends, I begin to hate their smiling faces. I start poking out of spite.
A lovely relaxing puzzle game in the same mould as Monument Valley.
Prune is a love letter to trees. A game about the beauty and joy of cultivation. With a swipe of a finger, grow and shape your tree into the sunlight while avoiding the dangers of a hostile world. Bring life to a forgotten landscape, and uncover a story hidden deep beneath the soil.
But however frivolous and gimmicky it might seem, the spaghetti cone is a highly utilitarian innovation. A cardboard cone, it turns out, is an ideal delivery system for spaghetti […] The cone shape facilitates the trick by giving natural purchase to the tines of the fork as they twist. The curved sides of the cone help guide the strands of spaghetti into a ball around the fork. The twirl excludes the need for spearing any bit of food with the fork.
Tales of techno-geo-socio-politics.
Behind each domain you visit are other stories, that might happen to other people. As part of Citizen Ex, James Bridle explores six of these domains: Libya, Syria, Scotland, Wales, Yugoslavia, and the British Indian Ocean Territory, all of which are available to read online.
Will our flighty brains ever get as much out of phone screens as paper? Are the great works of literature doomed to fade away like ghosts? I wanted to find out. So I did an experiment. I pulled out my iPhone and downloaded the hugest, weightiest tome I could think of. War and Peace.