There is a well-known scene on Parks and Recreation where Ron Swanson describes his coworker Jerry thusly: “A schlemiel is the guy who spills soup at a fancy party. A schlamazel is the guy he spills it on. Jerry is both the schlemiel and the schlamazel.”
Milhouse, too, is both the schlemiel and the schlamazel. Even his best friend’s dad refers to him as “that little weiner kid.”
I hadn’t seen or heard of the previous five episodes of this bafflingly brilliant series.
Meet Maggie Goldenberger, who helplessly watched an Internet meme spawn from her awkward adolescent photo. Except, maybe the “Gershberms” girl never existed at all?
Andre Roussimoff, a.k.a. Monster Roussimoff, a.k.a. Monster Eiffel Tower, a.k.a. Géant Ferré, a.k.a. Giant Machine, a.k.a. Andre the Giant, was neither particularly childlike nor particularly averse to fly-hurting. Very large men who deal in violence for a living are seldom unchanged by what they do, even when the violence is mostly symbolic and theatrical, as it was for Andre.
About 7 years ago I got an invitation to attend my cousins dinner party. I have never seen my cousin before and only spoke to him on the phone. I was surprised that his family unexpectedly invited me after all these years.
This is an experiment in crowd-sourced songwriting. A melody is currently being generated, note by note, in real-time, using the popular vote of the crowd.
Will the Wisdom of the Crowd create something special?
The singer, who died on October 21, 2003, always maintained that he loved making his music, even as his music usually claimed that he didn’t love much at all.
Taking a closer look at new Medium fonts: Charter and Kievit.
The report was based on analysis of some 55,000 projects around the world, says Henbest. And it found that globally, onshore wind now on average costs $83 per megawatt-hour of electricity ($2 cheaper than in the first half of the year), and thin film solar photovoltaics costs $122 per megawatt-hour — a drop of $7 in just half a year.
That presents an increasingly favorable comparison with fossil fuels — though it still depends greatly on where you are located. Coal-fired electricity cost $75 per megawatt-hour in the Americas, but $105 in Europe. Gas-fired generation cost $82 in the Americas and $118 in Europe, on average, the report found.
Liza Stahl’s head bobbed gently as it rested on my chest; her breathing was calm and measured. With my left arm I held her close to me. We joked and giggled as our bodies intertwined. It was a spectacular day; sunlight poured into her East Harlem, New York City, apartment. It was a scene from a movie. In another world, she was my girlfriend; in another place, we were madly in love.
Stahl, however, was not my girlfriend, and we were not in love. In fact, we had only met minutes before. Stahl (which is not her real name) is a professional cuddler, and for $80 an hour, she will cuddle, spoon, comfort and caress just about any man who walks through her door.
Linguist Rebecca Starr points out that while there are some earlier abbrevs, like commish (from commissioner) from 1910 and delish from 1920, the current abbrev trend has been increasing since the mid-2000s.
The interesting thing about abbrevs is that they’re based on sound, not on spelling. Just think about how we have to respell certain words when making them into abbrevs, such as delish, presh, profesh, unfortch, and sitch. And with words like funksh (function), relash (relationship), fuche (future), natch (naturally), or sosh (sociology), you might not even be able to tell from the abbrev what the original word was.
Ah! This is a great question! And one I don’t think have a great answer to. My interest in reading difficult stuff didn’t really develop until well after I was in a position to be taught, by professional Readers of Difficult Stuff, how to do so. BUT! I’ve learned some things on my own and they work for me and maybe they’ll be of some assistance?
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A few links, taken from my Pinboard account.
Call us control freaks, but we built this brand and we “feel strongly” about shaping its direction ourselves. One logo on our login page is enough. Who the hell wants their app to look like it was designed by NASCAR?
I dislike the proliferation of social sharing and login buttons on websites.
Sure, the login buttons help users sign up for your service quickly and easily. But the user has to remember which service they signed in with, and they look ugly. By their nature, they tend to be brightly coloured and eye-catching—the eye is drawn to them rather than what the website or service is or does. I’d rather people used this space to give me more reasons why I should sign up in the first place. If I’m eager, I’ll find a way to sign up.
The sharing buttons are more irritating to me. Their intention is obvious: get more people to the site who wouldn’t otherwise have noticed it. My hugely anecdotal experience is that their primary use is for a small and relatively unimportant minority of users: those who don’t know how to copy and paste. These people aren’t likely to be socially ‘influential’, for want of a better phrase—is it going to be a huge boon for your site if Joe Bloggs, who tweets once every three months and has only a handful of equally unengaged followers, shares a link to an article?
This is vital screen space. Wouldn’t it be better to remove these buttons (or consolidate them under a single ‘share’ button, which pops up the myriad social services) and give more room to services that help users find reasons to stick around? Like links to other content in the same category (hand-picked, not just autogenerated WordPress bullshit), or perhaps more by the same author? Even if you don’t replace them with anything, you just made your content stand out that tiny bit more.
The site I work on has a curious policy of putting the sharing buttons before the article, as a way of suggesting that what you’re about to read is worthy of sharing. Look—all these other people have already done it. I certainly don’t like this any better. We’re giving people decisions to make and opportunities to do something other than reading the article, and I hope we change it.
Read the update after the article too: there are some good counter-points made by commenters.
What kind of language do you use on twitter? Are you unconsciously using homophobic words? Did you even know that #NoHomo was a real hashtag on Twitter?
Look at all those morons that throw the word ‘faggot’ around on Twitter.
Does anyone really think breaking up articles into several pages is a good idea? No, they don’t.
For much of the late-twentieth century, you might have assumed that musicians with a top-twenty sales week and a Radio City show—say, the U2 tour in 1984, after The Unforgettable Fire—made at least as much as their dentists. Those days are long and irretrievably gone, but some of the mental habits linger. “People probably have an inflated idea of what we make,” says Droste. “Bands appear so much bigger than they really are now, because no one’s buying records. But they’ll go to giant shows.” Grizzly Bear tours for the bulk of its income, like most bands; licensing a song might provide each member with “a nice little ‘Yay, I don’t have to pay rent for two months.’ ” They don’t all have health insurance.
The Grizzly Bear album is terrific, so you should buy it and see them live.
Related: Corin Tucker, formerly of the amazing Sleater-Kinney and now the Corin Tucker Band, has a day job.
My pal Richard has an easier way to cope with the onslaught of tech-related news. He reads it for you, and selects the most important stuff.
This article is interesting on its own terms—if you didn’t know, Kelsey Grammar is nothing like his character Frasier, and Shelley Long was kinda hard work—but more interesting to me is the suggestion that Cheers, for so long the pinnacle of TV comedy, doesn’t get enough respect. The last episode aired twenty years ago: enough for a generation to grow up and not know what it is.
There is no seal to break, either in a literal or metaphorical sense. Urine production isn’t regulated by how long you wait or how often you go.
Learn about ADH and impress your friends!
The old-fashioned is at once “the manliest cocktail order” and “something your grandmother drank,” and between those poles we discover countless simple delights, evolutionary wonders, and captivating abominations. Because of its core simplicity and its elasticity—because it is primordial booze—ideas about the old-fashioned exist in a realm where gastronomical notions shade into ideological tenets. It is a platform for a bar to make a statement, a surface on which every bartender leaves a thumbprint, and a solution that many a picky drinker dips his litmus paper in. You are a free man. Drink your drink as you please. But know that your interpretation of the recipe says something serious about your philosophy of fun.
What more needs to be said and read about this drink? Plenty more, it seems.