The writer Michael Chabon likens the films of Wes Anderson to “scale models” or “boxed assemblages” built from “the bittersweet harvest of observation and experience.”
These “models” are carefully constructed out of wood and paint, text and image, long tracking shots and carefully framed subjects. Anderson is a meticulous world builder in both visual and thematic construction.
The Life Aquatic was the first Anderson movie I really fell in love with, and as I continue to watch more of them, I find myself pondering just what it is that makes an Anderson film Andersonian. Is it the carefully chosen color schemes or the symmetrical compositions? The recurring themes of family and fracture, of discovery and triumph? Or is it the brief magical flashes of the surreal?
Anderson certainly has a style, and his visual motifs are what I want to explore in this essay.
This is a fascinating look at how to perform machine learning on a data set: in this case, the visual motifs of Wes Anderson films. Nicely presented too. Better on desktop.