One of the song’s striking characteristics is the way in which it dispenses with pleasantries. There is no attempt to break you in gently. No easy introduction. No burying of the lede. It’s more a case of a lyrical fist buried in your solar plexus.
Let’s talk about icons now. They’re an essential part of many user interfaces. The thing is: more often than not, they break clarity.
A dive into icons as a UI element and how they are usually pretty shit.
In California, farmers pay dearly for water — or, more precisely, they pay for the delivery of water — and water is getting very, very expensive. “The avocado’s native environment is tropical,” Wolk says to me in his office, which overlooks his own modest avocado grove, “and we’re growing them in a desert.” It takes 72 gallons of water to grow a pound of avocados, compared to, for instance, nine gallons to grow a pound of tomatoes.
While these nuances are groundbreaking in an esperanto sense—an eggplant is an eggplant is an eggplant, after all—they also create a huge margin for error and a demand for a larger emoji vocabulary for a quickly evolving future. To help us navigate the smiley-laced times ahead, we consulted the cutting edge in type technology to see what’s in store for a future of keyboard-as-canvas.
… keep us together, and tear us apart.
At work, Glover manufactured CDs for mass consumption. At home, he had spent more than two thousand dollars on burners and other hardware to produce them individually. His livelihood depended on continued demand for the product. But Glover had to wonder: if the MP3 could reproduce Tupac at one-eleventh the bandwidth, and if Tupac could then be distributed, free, on the Internet, what the hell was the point of a compact disk?